Recognition and identification of staff, bar-lines, clefs, pitch names, note types and values, rest values, all relating to the music performed. Mostly simple time signatures with the quaver as the shortest note and principally using white keys.Ĭandidates should play ALL of the following: Mr Smoothie Snail OR Walking Bouncing Balls OR Hopping Cross Country OR Flying Through the Air Spring Lambs OR Marching Triads Beating Drums OR To a Garden RoseĬandidates should play TWO of the following: Play Ball Building Bricks Hopscotch Happy Song SailingĬandidates should play TWO of the following: Sunny Day The Little Windmill Spring Is Here The Church on the Hill When the Saints Go Marching In Degree of difficulty: No shifting from the 5-finger position, except for a very occasional slight extension. PIANO: STEP ONE Candidates for Step 1 will find all the required material for the examination in the LCM Publication: Piano Handbook 2006 Step 1, LL192. In order to reassure candidates, a parent or teacher is allowed to be present (in a SILENT capacity).Ĭandidates should play ALL of the following: Sailing This Way Sailing That Way Raindrops Cello and Drum Tune Two Together Five Finger Fun Run Away Train OR Here Come the ChordsĬandidates should play TWO of the following: Twinkle, Twinkle Little Star I’m A Little Teapot Surprise Surprise Row, Row, Row Your Boat Here We Go Round the Mulberry BushĬandidates should play TWO of the following: Merrily We Roll Along Baa Baa Black Sheep Little Bo Peep Yankee Doodle Pussy Cat, Pussy Cat Ode to JoyĬomponent 4 – Recognition of Notes Notes C - G in the Treble Clef and C - F in the Bass Clef to be recognised. Degree of difficulty: Five-finger position, without hand shifts. Introductory Examinations PIANO: PRE PREPARATORY Candidates for Pre Preparatory will find all the required material for the examination in the LCM Publication: Piano Handbook 2006 Pre Preparatory, LL191. A complete list of titles may be found on their website – Grateful thanks are due to Peter Wild, the principal syllabus compiler. LCM Publications are distributed by Music Exchange (tel: 01 email: ). LCM Publications The following LCM Publications are relevant to this syllabus: © Copyright 2011 by the University of West London, LCM Examinations 3 University of West London LCM Examinations St Mary’s Road Ealing London W5 5RF tel: +44 (0)20 8231 2364 fax: +44 (0)20 8231 2433 email: uwl.ac.uk/lcmexams This repertoire list is valid from 1 January 2006 until 31 December 2012.ĭirector of Examinations John Howard BA PhDĬhief Examiner in Music Philip Aldred BEd FLCM
#PIANO REPERTOIRE LIST FULL#
Please see Section 5 of the syllabus for full details of the Leisure Play requirements.
#PIANO REPERTOIRE LIST FREE#
Copies are available free of charge from LCM Examinations (tel: 020 8231 2364) or from local representatives. This repertoire list should be read in conjunction with the Syllabus for Graded and Leisure Play Examinations in Music Performance.
Recital repertoire not to be repeated in Preliminary, Quarterfinal, and Semifinal Rounds.Piano repertoire list 1 January 2006 – 31 December 2012Ĭontents Page LCM Publications. RACHMANINOV Rhapsody on a Theme of Paganini, op.SCHUMANN Piano Concerto in A Minor, op.
RAVEL Piano Concerto for the Left Hand in D Major.595įinal Round (June 14–18, 2022) Bass Performance HallĦ competitors perform two concertos, to be selected from two separate lists, with the Fort Worth Symphony Orchestra and conductor Marin Alsop. Mozart concerto to be selected from a list with the Fort Worth Symphony Orchestra and conductor Nicholas McGegan.Preliminary Round (June 2–4, 2022) Van Cliburn Concert Hall at TCUģ0 competitors perform a 40-minute recital, to include commissioned work of 4-6 minutes by Stephen Hough Quarterfinal Round (June 5–6, 2022) Van Cliburn Concert Hall at TCUġ8 competitors perform a 40-minute recital Semifinal Round (June 8–12, 2022) Bass Performance Hall Screening Auditions (March 6–12, 2022) Pepsico Recital Hall, TCU, Fort Worth, TexasĪpproximately 72 applicants accepted for a screening audition will be required to give a 25-minute recital before a live audience and the Screening Jury.
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